Pierre Cardin: Future Fashion at the Brooklyn Museum (Morris A. and Meyer Schapiro Wing and Iris and B. Gerald Cantor Gallery, 5F): https://allaplusessays.com/order (this is a website for the exhibition) If you can save time, you must go and see the exhibition in person. This is a short summary from the museum’s website: Pierre Cardin: Future Fashion is the first New York retrospective in forty years to focus on the legendary couturier. Drawn primarily from Pierre Cardin’s archive, the exhibition traverses the designer’s decades-long career at the forefront of fashion invention. Known today for his bold, futuristic looks of the 1960s, 1970s, and 1980s, Cardin extended his design concepts from fashion to furniture, industrial design, and beyond. The exhibition presents over 170 objects drawn from his atelier and archive, including historical and contemporary haute couture, prêt-à-porter, trademark accessories, “couture” furniture, lighting, fashion sketches, personal photographs, and excerpts from television, documentaries, and feature films. The objects are displayed in an immersive environment inspired by Cardin’s unique atelier designs, showrooms, and homes. For more information, read this exhibition review at the Atlantic. https://allaplusessays.com/order If Pierre Cardin was creating avant-grade design in Paris, there was Mary Quant in London. See her exhibition at the V&A Museum in London. Both designers are still alive. https://allaplusessays.com/order Please watch the following video. https://allaplusessays.com/order https://allaplusessays.com/order In this course, we have followed the theme of Art, Spectacle, and Labor. For the creative world of Pierre Cardin, how do you discover this interaction between Art, Spectable, and Labor. For a longer description of this theme, see below. For “spectacular new experiences,” what is noteworthy in this exhibition design? How do curators and exhibition designers of this show present the new spectacles (name a few social events during Pierre Cardin’s life) in this exhibition? Do you think their attempts are successful? Also which work in Pierre Cardin’s collection “display” or “present” a new spectacle of his own time? How did it become part of trendy phenomenon at that time? By celebrity endorsement, newspaper article, or popular demand of customers? Then where is a component of labor? What types of labor do you see or imagine in this work? You should include 1-2 images related to your own discussion. You should write about 300 words. Special Topic for Fall 2019: Art, Spectacle, and Labor
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